RonaPhotography & Bridal

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Portfolio

Work we are proud of.

Start with a whole wedding, then wander through the gallery. We show full days because the best photographs are rarely the first ones.

Wedding stories

Whole days, told in full.

Each story is one wedding from start to finish: the write-up, the numbers and every photograph we chose to deliver.

Akad nikah & sanding · Hall venue, Shah Alam
Aisyah & Hafiz
An ivory-and-gold wedding in one hall: a quiet akad nikah at ten, a sanding at noon, jasmine strands, gold crowns and two families who barely stopped laughing.
View the full story of Aisyah & Hafiz, August 2026
Majlis sanding & garden portraits · Hotel hall & garden, Petaling Jaya
Nadia & Irfan
Sage for the sanding, then a black-and-gold songket portrait session in the garden once the guests had gone home.
View the full story of Nadia & Irfan, June 2026
Akad nikah · Small heritage hall, Klang
Sofea & Amir
An intimate akad nikah for forty guests, a quiet exchange of rings, and a lunch for both families afterwards.
View the full story of Sofea & Amir, May 2026

The gallery

Everything, or just what you came for.

Weddings25 photos

A groom in a white baju and songkok and a bride in white lace with a gold crown-style headpiece, both wearing jasmine strands, standing side by side against a plain white wall

A woman in a beige hijab and blouse holding a loose bouquet of white wildflowers on a grassy lawn, her face out of frame — The bouquet Aisyah’s sister guarded all morning.

A gold filigree ring standing upright between a pair of black glittering shoes against a soft white background — The ring, before it was worn.

An officiant in a white baju and black songkok speaking into a microphone at a table with a red patterned cloth, in front of rows of seated guests — The officiant addresses the hall before the lafaz.

Close-up of the bride’s smiling face, half in frame, in a white hijab with a gold crown-style headpiece, jewelled pins and jasmine strands — Gold, jasmine and a very happy bride.

An older couple, he in a songkok and she in a navy hijab, seated on a white bench holding a white bouquet in front of a white and blue floral backdrop — Ayah and Mak on the pelamin, before the couple arrived.

The bride in a white hijab and veil, head bowed and hands together, seated among older women in maroon and pink hijabs and men in songkok — Doa, with the women of the family beside her.

An overhead view of a large group of family and guests gathered closely around a low table in a room dressed with greenery and white flowers — Everyone, photographed from above.

The groom in white pressing his forehead to the bride’s, she in a white hijab and a gold headpiece, both wearing jasmine strands — A quiet moment, just the two of them.

A groom in a mint baju Melayu and songkok and a bride in a mint hijab and lace kurung seated together on a sofa surrounded by pink and white flowers, she resting her cheek on his henna-decorated hand

A white and gold sofa on a raised white dais framed by garlands of red and white roses and white drapes in a hotel hall — The dais, dressed in red and white roses.

The couple’s hands cutting a white cake topped with a gold “love” sign and peach and white roses, the bride in lace sleeves and the groom in a navy suit — Cake cutting, hands together.

A family of seven in pastel blue and grey outfits laughing and holding their arms out in a bright white studio with arched windows — Family portraits in a bright studio corner, dressed in pastel blue.

A couple in black baju Melayu and gold songket walking across a green lawn among palms, she holding a white paper parasol — Into the garden, in black and gold.

The couple in black and gold songket touching foreheads with eyes closed in a palm garden, her hand with henna on his chest — Forehead to forehead, in the evening light.

The couple in dark baju and gold songket face to face, she under a gold songket shawl and he in a woven tengkolok, with a lake behind them — Gold songket, hand-woven in Terengganu.

The couple in black and gold songket smiling at each other under a white paper parasol on a sunlit garden path — Under the parasol, in the last of the sun.

A groom in a black suit, red tie and jasmine garland and a bride in white lace with a silver headpiece showing off their rings to the camera

A small white building with a crenellated roofline and a corner tower under a grey, cloudy sky — Nine o’clock, Klang.

The bride standing alone in a white lace outfit and white hijab with a silver and gold headpiece and jasmine strands, in a hall of white flowers — Sofea, a few minutes before the ceremony.

The groom sliding a ring onto the bride’s henna-decorated finger — The ring, and a steady hand.

A man seen from behind in a black songkok, a dark blue baju Melayu and a red and gold samping draped over his shoulder, against a pale green wall — Amir, before the vows.

An open Quran with decorated pages resting on a dark wooden table — The Quran from the mahar.

The couple in white embracing, the groom kissing the bride’s cheek as she smiles, in a warm blurred corridor — A moment alone, afterwards.

An overhead view of a round table crowded with shared dishes: braised meats, a clay-pot soup, salads and fruit — Lunch for both families.

Bridal6 photos

A smiling bride with closed eyes pressing her henna-decorated hands together, in a white hijab with jasmine strands and a jewelled headpiece — The akad nikah look: soft, luminous, quiet.

A bride in a white lace gown, gold jasmine strands and a tall gold-and-pearl headpiece looking down with a soft smile, in front of a flower-filled backdrop — The sanding look: richer, made for the pelamin lights.

Close-up of a makeup artist’s hand blending gold and violet eyeshadow onto a woman’s eyelid with a fine brush — Skin prep first, colour second.

A bride in a white lace outfit and long veil with strands of jasmine, a silver crown on her hijab, crossing her lace-gloved hands over her chest — Hijab, veil and jasmine, styled to sit in place all day.

A woman in a pink hijab with a light veil and silver tiara, and a pink lace kebaya, resting her hand under her chin and looking down — The soft look: blush pink, lace and a natural finish.

A bride in a white hijab with a gold jewelled headpiece and long jasmine strands, hand on her chest, defined eyes and rosy lips — The glam look: gold, jasmine and defined eyes.

Family3 photos

A father, mother and two sons in coordinated lilac and blue-striped Raya outfits posed together in front of a white panelled backdrop with flowers — Raya Classic: a family of four in lilac.

Two young women in white shirts, one in a white hijab and one in a coral hijab, kneeling side by side on a lawn with palm trees behind them — Sisters in white, on location.

Close-up of woven palm-leaf ketupat in warm light against a soft green background — Hand-woven ketupat, a detail from our Raya set.

Convocation2 photos

A smiling graduate in a cream hijab and mortarboard holding her black certificate folder, outdoors beside a stone wall — Konvo Solo, shot outdoors.

A graduate in a grey hijab and black gown with a medal throwing her mortarboard into the air beside a tall monument — The cap toss, on location.

Maternity & Newborn4 photos

A pregnant woman with long blonde hair peeking out from behind a white wall, her bare bump in view against a plain white studio — Playful, minimal and in the studio.

An expecting couple in cream knitwear standing close among bare trees, he looking down at her bump as she looks up — Maternity outdoors, with your partner.

A newborn with dark hair asleep on one side, wrapped in a cream knit swaddle on a soft grey backdrop — Deep sleep, day ten.

A newborn’s tiny bare feet peeking out of a white wrap, with the baby’s face softly blurred behind — The details you want to remember.

Let’s talk

Like what you see? Let’s plan yours.

Send us your date and the kind of day you are imagining. We’ll reply with availability and a package that fits.

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A smiling bride with closed eyes pressing her henna-decorated hands together, in a white hijab with jasmine strands and a jewelled headpiece

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